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... But Home is Nowhere

Owl City Rules

0:36	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	7	3	2	100%
		8	5	1	2	56%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	7	3	2	100%
		8	5	1	2	56%

Trauermusik en Do Minor, II: Adagio Maestoso

IGitzDiz

5:58	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (4 hands)		18	0	6	7	66%
		17	0	4	7	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (4 hands)		18	0	6	7	66%
		17	0	4	7	94%
		25	0	10	6	94%
Violino I		27	0	10	8	94%
Fagotto		18	6	5	6	94%
Violino II		13	0	3	7	91%
Viola		11	0	3	6	68%
Corni en Do / C		15	14	3	7	64%
Posaune		15	7	4	7	58%
Violoncello		15	0	5	7	49%
Timpani		2	0	0	2	38%
2 Oboi		9	8	1	4	36%

Panic! At The Disco - Don't Threaten Me With A Good Time (For Marching/Pep Band)

zaccwith2cs

2:20	Est. Play Time
54	Measures
	2,886Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone		20	0	2	4	94%
Trombone		29	10	10	6	87%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone		20	0	2	4	94%
Trombone		29	10	10	6	87%
Alto Saxophone		17	0	2	4	85%
Baritone Saxophone		24	0	8	7	83%
Bass Guitar		27	0	7	7	83%
Tuba		27	0	7	7	83%
B♭ Clarinet		19	0	0	4	76%
Electric Guitar		30	4	8	6	74%
Flute		20	0	5	5	59%
B♭ Trumpet		11	0	0	8	54%
		12	6	0	4	41%
Baritone Horn		11	8	1	6	54%
Mellophone		8	8	0	4	39%

Panic! At The Disco - (Fuck A) Silver Lining (For Marching/Pep Band)

zaccwith2cs

2:29	Est. Play Time
68	Measures
	3,157Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone		7	0	3	5	97%
Tenor Saxophone		7	0	3	5	97%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone		7	0	3	5	97%
Tenor Saxophone		7	0	3	5	97%
Baritone Saxophone		13	0	8	5	88%
B♭ Clarinet		17	27	11	6	79%
Flute		17	27	11	6	79%
Trombone		14	0	8	5	79%
Mellophone		10	9	6	2	71%
Bass Guitar		14	0	9	6	68%
Tuba		14	0	9	6	68%
B♭ Trumpet		11	11	7	5	63%
		10	9	6	6	63%
Baritone Horn		10	8	6	4	62%
Electric Guitar		7	0	4	3	35%

Worst thing Humanly possible

IGitzDiz

34:11	Est. Play Time
365	Measures
	8,755Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		6	0	5	7	100%
Piccolo		30	48	4	25	100%
Viola		9	7	6	10	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		6	0	5	7	100%
Piccolo		30	48	4	25	100%
Viola		9	7	6	10	100%

Ascension

Qaz

2:31	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	7	0	6	100%
		9	9	0	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	7	0	6	100%
		9	9	0	4	100%
Violin		9	0	1	2	94%
Contrabasses		9	8	0	2	88%
Violoncellos		9	17	0	2	82%
Tenor		9	13	0	4	65%
Timpani		9	8	0	3	63%
Violins 1		11	0	1	5	59%
Alto		8	1	0	5	53%
Euphonium		8	8	0	1	47%
Trombone		3	0	0	1	47%

New

somebuddy

3:15	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Saw Synthesiser		9	9	1	5	83%
		10	6	0	4	43%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Saw Synthesiser		9	9	1	5	83%
		10	6	0	4	43%
Effect Synthesiser		8	0	1	5	25%
		8	4	0	2	48%
Mallet Synthesiser		11	0	0	6	31%
		10	6	0	5	31%

"Stürmisch bewegt, mit größter Vehemenz" from Mahler's 5th Symphony

mooing

19:54	Est. Play Time
577	Measures
	14,775Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.		40	33	37	14	83%
Bässe.		34	14	26	15	78%
View all 42 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.		40	33	37	14	83%
Bässe.		34	14	26	15	78%
Erste Violinen.		42	21	38	12	76%
		5	2	0	5	3%
Zweite Violinen.		39	59	35	12	70%
		10	7	2	1	1%
Bassoon		17	0	9	5	5%
		41	74	39	12	70%
Violen.		36	54	32	11	66%
Drei Hoboen.		32	72	27	10	56%
		11	0	7	5	1%
		26	2	19	5	8%
Sechs Hörner in F.		33	10	17	7	13%
		2	1	0	1	0%
		32	78	25	11	53%
		38	70	29	11	43%
Vier Flöten.		37	22	30	13	50%
		32	21	17	6	17%
B♭ Clarinet		38	60	34	10	50%
		20	0	10	4	3%
		33	9	16	7	10%
Contrabassoon		29	0	21	12	47%
Drei Posaunen.		1	0	0	1	0%
		34	115	25	8	39%
Pauken.		13	0	6	5	34%
Basstuba.		32	24	24	9	29%
Vier Trompeten in F.		25	20	11	10	17%
		17	13	5	6	4%
		24	11	14	11	13%
B♭ Trumpet		3	2	1	1	0%
		26	41	15	8	17%
		28	36	16	10	16%
A Clarinet		3	0	1	2	0%
		40	28	27	10	15%
		19	0	9	7	3%
Bass Clarinet		22	0	9	7	12%
Drei Klarinetten in C.		24	2	6	6	6%
Harp		17	1	0	6	3%
		24	9	2	8	4%
English Horn		16	0	8	7	3%
Piccolo		21	2	6	6	3%
Violin		3	0	0	2	0%

HWV56N08 Messiah: Behold, a virgin shall conceive

edward.maurath

0:14	Est. Play Time
7	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		4	0	0	2	100%
HPSI LH		9	8	1	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		4	0	0	2	100%
HPSI LH		9	8	1	2	100%
Hpsi RH		10	8	1	2	100%
Violone		4	0	0	2	100%
Alto		7	0	1	4	86%

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